I really wanted to like This
is 40. With Judd Apatow at the helm bringing back characters from what I
believe is the best film he directed (Knocked
Up), this seemed like a no-brainer hit. Couple that with the fact that that
the stellar duo of Paul Rudd and Mrs. Apatow, Leslie Mann, were reunited on
screen, there was no way This is 40
could falter, right? Wrong.
This is 40 is marketed as a straight up
comedy about the trials and tribulations of a middle-aged couple coping with
the fact that the big 4-0 is finally a reality. However, the film plays out
over two agonizingly long hours of Apatow letting go of some deep-rooted
emotions that are the farthest thing from humorous. It reads like more of a
therapy session, with the family unit (all Apatow’s, with Rudd in his place), venting
their every last issue with one another amid an aimless plot. The pacing and
arguing will wear you out, and the supposed jokes that one would expect from an
Apatow production are so few and far between that they fail to bring light to
an otherwise gray picture. I appreciate the realism of a married couple that is
portrayed here, it’s just too much over far too long of a time for it to work.
What starts off as a light-hearted foray into one family’s life is quickly clouded
in a fog of depression. One would expect at least a bit of tenderness in a film
about an every day family with every day struggles, but in place of romance
there is only dysfunction.
As
to be expected, the bright spots in the film are Rudd and Mann, who do their best
with the material and are as convincing as can be. Paul Rudd is nearly
impossible to dislike, and his onscreen chemistry with Mann is undeniable. The
two feel like a real couple, which makes the disorder that plays out in front
of your eyes that much more uncomfortable. Albert Brooks and John Lithgow are
superb in their supporting roles as the aloof and estranged fathers of the
couple, and even Megan Fox does a great job flaunting her best assets to fit the
part. On the whole, the acting in This is
40 is really quite excellent, it’s just a shame that the performances
couldn’t have taken place in a more endearing piece. Melissa McCarthy provides
what is without a doubt the funniest scene in the film, and her outtakes that
play over the credits are worth a bigger percentage of the ticket price than
the preceding two hours.
At
the end of the day, This is 40 is
much more Funny People than it is Knocked Up, as it fails to find the
balance between real life drama and escapist humor that Knocked Up hit so perfectly. I still trust Judd Apatow, and will
still see almost anything with Paul Rudd’s name attached to it, but This is 40 is anything but what we’ve
come to expect from their past collaborations.
Score: 2/5
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